Tayub

this artistry form is they say comes from period java kingdom centres formerly, and intrinsically be part from welfare ceremony series or syukuran to all government leadership that will bear new function, for example in order to jumenengan (graduation ceremony), commander dispatch to battlefield, and others. tayub association dance but in the realization can has romantic and can also erotic.
in the execution guests gets devoting sampur from dancer (ledhek).
guest itupun then dance berpasangan with ledhek, seirama with accompaniment gamelan, as according to javanese musical that orderred.
in the begining execution tayuban at the most contest or flexibility exhibition and craft dances berpasangan without leave unggah-ungguh or oriented manner.
but in the distribution at society then happen anomaly so that tend to to evoke opinion that tayub be artistry form menjurus to deed less morality.
at village tengahan, special province yogyakarta, this dance is now usually is conducted in village clean custom ceremony series, that is angsung eat to stubble priest wulung for village welfare.
so the centre in pasarean stubble priest wulung. stubble priest wulung figure tayub at village (tengahan) that.
this village clean ceremony is held every year (also one year once) and usually sehabis harvest.
in period formerly dance tayub at village (tengahan) this is held in bighttime, but because morality deliberation now held in the day time.
thereby artistry function tayub now beside be part from also as show/comfort.
artistry supporter tayub this number around 17 person with main players covers two dancers (ledhek), two woman vocalists (waranggana) and a man vocalist (wirosworo/gerong).
dancer tayub wear realistic costume that is hair at java style hair bun, cloth usually and shawl cloth as breast casing (kemben = java).
except that, dancer still to wear shawl (sampur) to dance.
guests that will be pengibing, the term ketiban sampur, dress complete java that is wears blangkon, coat surjan, cloth, stagen and the dictionary as binder, along with kris/pendok.
pengibing genuinely in tayub this adult man aged between 30 - 60 year.
every pengibing use technics strong java dance or soft with improvisation styles.
more richer movement menguasainya will make scene duet more noisy.
show held when daytime during 6 clocks, begin from clock 10.00 up to clock 16.00.
from clock 10.00 until clock 12.00 that is time loadeds with klenengan as pra-tontonan before show tayub actually begun.
stage tayub be arena concept with floor sometimes shaped circle, straight and often also bent line.
usually to tayub this used verandah of ancient palace kalurahan and or pedukuhan.
as to music instrument that worn gamelan complete java.